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SHELTER

SHELTER

SHELTER

In a cave transformed into an air-raid shelter, the surrounding trees are painted directly onto the film. Vivid colors intermix with the sounds of wartime radio communications and bombing, creating a harmonious composition of documentary and animation. The experimental film blurs the line between reality and imagination, using the confined space of the shelter as a canvas for psychological exploration.

The constant threat of bombing outside contrasts with the stillness of the painted trees, evoking a sense of isolation and fear. As the sounds of war intensify, the shelter becomes a prison of the mind, where the boundaries between the external world and internal perception dissolve. The film uses this tension to examine how humans cope with trauma and the fragility of memory in times of crisis.

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