GET BACK ON THE HILL

A man confronts his fear of heights as he looks down from the rooftop of a 50-floor apartment in New York. The everyday act of crossing a zebra crossing becomes an abstract, surreal image when observed from such a dizzying altitude.

Through the use of color separation, the colors shift across each frame, creating a disorienting and dreamlike universe. The film explores the transformation of ordinary reality into an abstract visual experience, driven by the protagonist's vertigo.